Category Archives: Kirby4Heroes

CSUN Celebrates Kirby’s 100th

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Kirby lives.

This coming Monday, August 28, is Jack Kirby’s birthday—I call that Kirby Day. What’s more, this particular August the 28th would have been Kirby’s 100th birthday, his centenary. To think of what Kirby lived through, from his boyhood on New York’s Lower East Side in the 1920s, to his passing in 1994, fills me with awe, and his work continues to fill me with a sort of tongue-tied gratitude for its never-ending richness. I try to observe Kirby Day on this blog every year, but on this 100th anniversary it seems especially urgent.

Monday the 28th also happens to be the first weekday of the new (Fall 2017) semester at my school, California State University, Northridge. That these two events—one the centennial of an artist vital to comics, visual culture, and my own life, and the other the perhaps-routine but still always exciting start of a new school term—should coincide seems a bit crazy, but too wonderful an opportunity to pass up. So CSUN, and particularly the Comics@CSUN initiative that I head, will be commemorating Kirby’s 100th in two ways:

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First, I have curated an exhibit of Kirby works from the 1940s to the 1980s, called Jack Kirby @ 100. This exhibit consists mainly of comic books, photographs, and art prints, and will be up in the Oviatt Library’s Music & Media wing from August 25 (that was today) through October 1. From The Boy Commandos  and Young Love to Captain Victory and The Hunger Dogs, this show gives a small but vivid window onto Kirby’s comic book career.

Second, this Monday the 28th—Kirby Day, the centennial edition!—I will be moderating a panel discussion with two great, Kirby-inspired comics creators who have taken Kirby’s influence in their own unexpected and original directions: Mark Badger and Tony Puryear. The panel will take place in the Oviatt Library’s Jack & Florence Ferman Presentation Room from 3:00 to 5:00 p.m., and will be followed by a visit to the exhibit (upstairs).

Both the exhibit and the panel discussion are FREE and open to the public—readers, please feel free to drop in! For more info, see the Comics@CSUN Events page, or just visit the CSUN homepage. And please help spread the word via social media, with the hashtags #KirbyAt100 and #ComicsAtCSUN. Thanks!

It’s been a challenge to do these things while also preparing new courses for a new semester—but there’s no way I could let this centennial pass without officially observing it at CSUN! Thanks to the University and all my colleagues and sponsors who helped make this happen, and to the Jack Kirby Museum & Research Center for their unstinting support! (Check out the Museum’s own schedule of Kirby centennial events this weekend, at its popup museum in NYC’s One Art Space.)

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PS. Don’t forget to support Jillian Kirby’s annual charity drive, Kirby 4 Heroes, which raises funds for the Hero Initiative, a nonprofit that supports veteran comics creators in need! Each year the drive has been raising more and more money—let’s make Kirby’s centenary a record-breaking year! This is a project Jack Kirby would have been behind 100 percent.

Kirby lives.

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Kirby at 99: Chasing the Mystery

UPDATE!

Please continue to support Jillian Kirby and the Hero Initiative’s wonderful Kirby4Heroes campaign: a splendid way to honor Jack’s legacy and that of other veteran comic book creators. For more information about Kirby4Heroes, check out its Facebook page and website. And don’t forget #WakeUpAndDraw, the drawing challenge to benefit the Hero Initiative, which you can follow on Twitter.


Today would have been the 99th birthday of Jack Kirby, an artist and a man we know a lot about and yet who remains, to me, a mystery and a challenge. I expect he always will.

I wrote an academic book about Kirby. I curated an exhibition of his art, and co-edited the catalog which came out of that. I’ve written a handful of articles for The Jack Kirby Collector. In one way or another, I’ve been following Kirby and his work for most of my life, starting I don’t know when–sometime before I turned ten, which is about when he became my favorite comic book artist–and intensifying in my twenties, when I discovered comic shops and began to chase down Kirby books I had not seen as a kid. I’ve thought about and grappled with Kirby in waves, and can mark off certain phases of my life on the basis of how my view of Kirby changed. Sometimes he has been the very center of my interest in comics, and at other times a persistent background; the terms of my attention keep changing. Over the past ten years, though, as thinking about Kirby has turned into a program of academic work, my interest has been constant and especially intense.

You could say that I have Kirbymania. After all, a big part of my thinking and reading life orbits around the idea of Jack Kirby, and I don’t see that changing. Despite the rigors of working on the exhibition and catalog these past few years–a dream, a blur, a happy madness–I can’t help but feel that I’m not done with Kirby, and never will be. The truth is, he is still a mystery to me. There is so much to take in: the crushing hardships of his life, which he refused to be crushed by; his rare and intense gift for comics storytelling; the push and pull of contrary feelings and the gear-grinding clash of ideas in his work; his galloping imagination and yen for Big Things; above all, the great, unstinting generosity of his talent and temperament, which transformed deadline-crazy freelancing into an amazing outpouring of art that was, always, surplus to requirements. How can someone do that? How can that be possible, to wring, from a life steeped in the memory of poverty and violence, work so generous and vivid, so free of cynicism even when it ventured into the darkest places?

Kirby still has me baffled. I don’t think I’ll ever get him all figured out. Lord knows I’ve tried. It was Kirby who lured me into trying to figure out, in Hand of Fire, the whole strange business of cartooning: a mix of figuration, pictographic symbolism, and ecstatic handiwork, all driven toward to simplification and typification by narrative intent–but never merely reducible to a paraphrasable intent. It was Kirby who got me past analytical formalism, back to the wild sweep of the whole comics page. It was he who got me over my adolescent embarrassment at, hell disavowal of, things I really enjoyed and still enjoy: outrageous cartooning, grandstanding images, superhero yarns, space opera, Pop sublimity, plain reckless joy. It was Kirby who kicked me in the slats at age ten, and then again at age forty-plus, when I needed to take a post-tenure plunge into rediscovered pleasures, and needed to own them on a bigger stage. It was always Kirby. And I kept, keep, trying to figure him out. Talk about a glorious fool’s errand.

I keep coming back to the generosity of the work. Anyone who has studied Kirby has read stories about the generosity of the man, and knows that Jack Kirby was loved by many because he himself had love (not just fury) inside him. He was a good man from hard origins who worked in a pitiless, exploitive business, who endured and did hard things, but he was nonetheless a good man. What I’m thinking of, though, is the graphic generosity of the work. Kirby almost always looked at his art from a storyteller’s point of view–which is fair, because he was, as he said, a writer with pictures–but his refusal to stint on the drawing made his pages livelier and more beguiling than almost anyone else’s in the business, and made his head-spinning stories habitable, believable, and authentic somehow, in spite of the wild premises. That he gave so much of himself to drawing those stories helps explain the feeling of aliveness that they give off: a feeling of commitment.

Over the decades, Jack Kirby set an impossible standard for comic books, showing how far a creator could go even without what should be the minimal assurances of creative ownership, editorial control, and financial security. And Jack wasn’t a martyr; often he was a great success,though he learned repeatedly what could happen to a success when the rug was pulled out from under him. He was a survivor, but more than a survivor, he was the very model of what it took to succeed against long odds. That he did succeed in shaping the lives and imaginations of so many–again, there’s the mystery.

Sometimes I think about how very different Kirby is from me: in upbringing, ethos, personality. After all, I’m an academic; I like theory, and live by analysis. Kirby, on the other hand, lived by storytelling. I’m aware that my life has been very different from his, that the intersection of his work and mine is a miraculous fluke. I wonder, how can something be so familiar to me and yet retain its power to surprise? His work does that: it manages to be lovable and uncanny at the same time. As I said, I can’t figure it out. But I am certain that the academic and the writer in me owe their opportunities to the electrifying example of Kirby and what he showed me.

Chasing the mystery of Kirby, of his genius for comics, is a lifelong pursuit. I’m so grateful to be doing it.

So: Happy 99th and profoundest thanks to Jack Kirby! And Happy KIRBY DAY to us all. How odd to think that I’m celebrating his birthday by celebrating the gift he gave to me–but what else is new, eh? May this coming year, between Jack’s 99th and his 100th, be a time of more and better and more widely-read work in Kirby studies. There is a depth and strangeness to Kirby’s work that will never give out–and will continue to be a goad and inspiration to our own work, in his orbit.

PS. I think my first exposure to Kirby’s Kamandi, certainly the first arc of Kamandi that I read, came with issues 22 to 24, inked and lettered by D. Bruce Berry, and published by DC in late-mid 1974. I didn’t buy these; they came in a box of comics gifted to me by a schoolmate whose family was getting ready to move (a short time later, I started buying Kamandi off the newsstand, with issue 32, published in mid-75). Those three issues made quite an impression on me:

Courtesy of Derek Langille’s Flickr photostream

 

Courtesy of Derek Langille’s Flickr photostream

 

Kirby Day Is Here!

Don’t forget to lend your support to the Kirby4Heroes Campaign! Give back to our veteran comic book creators! And watch artists volunteer their talents for the cause by following #WakeUpAndDraw on Twitter!

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Above: a metaphor for what Kirby did for the comic book industry.

PS. Comic Book Apocalype: The Graphic World of Jack Kirby–opening reception tomorrow, Saturday, Aug. 29, 4 to 7pm at Cal State Northridge in Los Angeles. Join a belated birthday celebration for the King and gaze at 107 Kirby originals!

Celebrate Kirby Day by lending a hand!

Tomorrow, August 28, is Kirby Day. it would have been the 98th birthday of Jack Kirby, who passed away twenty-one years ago—but didn’t, really, because a spirit like Kirby doesn’t pass away, as much as we may miss the lively presence of the living man.

As I said a year ago, I think Kirby Day ought to be a holiday for comics fans. It is for me! And more than a private celebration among fans, Kirby Day can be a way to give back to the comics creators whose dreams have populated ours:

Kirby4Heroes Facebook page--please lend your support!Jack’s family continues to celebrate his birthday by supporting veteran comic book creators through The Hero Initiative, a federally chartered, not-for-profit organization dedicated to honoring and helping creators in need. Since 2012, Jillian Kirby, Jack’s granddaughter, has led the Kirby4Heroes campaign to raise money for the Initiative on his birthday. With the kind of generosity that Kirby himself embodied, the Initiative seeks to provide (as its website says) “a financial safety net for yesterdays’ creators who may need emergency medical aid, financial support for essentials of life, and an avenue back into paying work.” Over the past three years Kirby4Heroes has raised about $30,000 for the Initiative, and this year Jillian has set the goal of $20,000. Please help here reach that goal!

On August 28, Kirby Day, select comic book shops across the country will be donating a portion of their sales to The Hero Initiative. Some stores will also be hosting special events. ComicsPRO, the professional organization of comic book retailers, has endorsed Kirby4Heroes, and many comics artists will be lending their time and talents as well. (Follow #WakeUpAndDraw on Twitter on Aug. 28th!)

Supporting Kirby4Heroes is simple. Besides shopping at your local comics store on August 28, you can donate online or by mail. To donate online, visit The Hero Initiative at heroinitiative.org (and be sure to type “Kirby4Heroes” in the space for “special instructions”). To donate by mail, send a check to:

Kirby4Heroes Campaign
c/o The Hero Initiative
11301 Olympic Blvd., #587
Los Angeles, CA 90064

Be sure to make out your checks to The Hero Initiative!

The Hero Initiative

For more information about Kirby4Heroes, check out the Kirby4Heroes website and Facebook page, read this detailed and informative interview with Jillian by Jim Beard at Marvel.com (part of Marvel’s “Jack Kirby Week” celebration), or watch Jillian’s video about the campaign via YouTube, courtesy of the Nerdist Channel:

https://www.youtube.com/watch?v=c6PeXqoOjAI

Sadly, I can’t embed the video here, but click through the link and you’ll see it. Here’s a screenshot:

Kirby 4 Heroes screen shot

Also, Kirby and comic book history buffs, check out Peter Sanderson’s discussion of Jack at the This Week in Marvel podcast. Nice to hear!

Can you help lend veteran creators a helping hand? What a way to celebrate Kirby Day! And… if you’re in Los Angeles, come see Comic Book Apocalypse: The Graphic World of Jack Kirby at CSU Northridge!

Kirby Day: What a Blast!

Kirby4Heroes

Two days ago, Thursday, August 28, was Kirby Day—that is, Jack Kirby’s birthday. It brought a delightful outpouring of remembrance and appreciation that spilled over into Friday. The Kirby4Heroes campaign took the occasion to raise money for The Hero Initiative—I hope they were able to raise a lot!

It’s never too late to donate to The Hero Initiative. 🙂

I was glad to contribute to Kirby Day in my own small way: with a posting at Acts of Geek (also run here on my blog), and by taking part in the big two-part (one, two) celebration over at Comics Alliance.

I went a little Twitter crazy on the 28th, tweeting links to online examples of top-notch Kirby scholarship, Kirby appreciation, and Kirbyana. For the record, here are the things I linked to (besides those mentioned above):

Requiem for Jack Kirby (2001)

Of course I also followed the #WakeUpAndDraw campaign on Twitter, which you see here:

(Dig this Hollywood Reporter article about #WakeUpAndDraw!)

Congratulations to Jillian Kirby and her family for leading the charge on Kirby Day! As far as I’m concerned, it’s now a genuine holiday. 🙂